If somebody standing in front of you got a gun pointed at ya just let go. If you down at the welfare office, let go and let God. in the rap game and has been around since the early days and has an old school following from his G-Funk days. If you in front of the judge, just let go and let God. Stevens is known by the new generation of hip-hop as a Hyphy rapper from the Bay Area of California. The project turned into a quadrilogy in 2011 with the simultaneous release of his 13th (the varied Revenue Retrievin': Overtime Shift) and 14th (the very dark Revenue Retrievin': Graveyard Shift) albums. Ah-oh, if you in that prison cell just let go. The Day Shift version featured the more street-oriented cuts while the Night Shift version was filled with club tracks. Even as individual discs, Day Shift and Night Shift are too bloated to be truly excellent, but as exhaustive as the material is, there are a fair number of gems on board, and E-40’s wordplay is as unrestrained and provocative as ever. If you in a projects, let go and let God. Also joining E-40 is a lengthy list of guest contributors, including Gucci Mane, B-Legit, Mike Marshall, Suga T, J. Artist: E-40 Album: Revenue Retrievin’ Graveyard Shift and Revenue Retrievin’ Overtime Shift Released: 2011 Style: Hip hop Format: MP3 256Kbps Size: 156+68 Mb. E-40 returns to his roots with a grimy sound and roomy kick-snare beats - courtesy of Rick Rock, Willy Will, and E-40’s son, Droop-E, among others.
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Crammed with diss-tracks (“B*tch,” which features the originator of the term “beeotch,” Too Short), cautionary tales of running drugs (“I’ma Teach Ya How to Sell Dope," "The Weedman"), and stories about gangbanging (“The Art of Story Tellin’,” “Duck”), the raw content is perfectly fitting for the minimalistic production that spans the two discs. Download 1 Question mp3 Practice Makes Paper of E-40. A comparable but slightly superior outing to E-40’s nightlife-oriented Revenue Retrievin’: Night Shift, which was released on the same date, Revenue Retrievin’: Day Shift finds the Bay veteran sticking more closely to his comfort zone and making songs about what he knows: the streets.
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